Sometimes I wonder if there’s a secret game going on over at the Heave offices. There they are in Chicago, 800 miles away, giggling to themselves, gleefully coming up with ways to get me to write more embarrassing stuff about myself. Bastards…
This week’s RoundTable question was, “If you could travel back in time and pick one song to lose your virginity to, what would it be?”
I responded as such:If I were to be able to get all Marty McFly on myself, I have a feeling I’d have to throw Patti Smith’s debut Horses on as the younger me found his way past the waistline of his own first Gloria. When it comes to sultry and intellectual singers, the queen of late-70s New York and seminal riotgrrl cannot do any wrong.
The steady build from piano-accompanying vocals in shoe-dragger time to all-out rock anthem is a perfect punctuation for any landmark action and, lyrically, it doesn’t get much more base and primal than the lyrics penned by Van Morrison and taken over by Patti Smith’s uber-feminism. With piano-punching accents while Patti screams that she’s “knocking on my door” and getting ready to “take the big plunge” tangling with its simplistic and methodical beating of three brilliant chords, “Gloria” can even get the Chess team to saunter up to Varsity cheerleaders.
But honestly, there is no one in the world who doesn’t want the last words before the “culmination” (both in song and “action”) to be, “Jesus died for somebody’s sins… but not mine.” Sinning for six whole minutes of the most intense and visceral rock of all time… where’s Doc Brown? I need to borrow the Delorean. Check it out here.
And to read my fellow Heave-er’s responses, click here.